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Barakonyis magically transfigured images draw on the collective memory and the experiences of cosmopolitan city dwellers, presenting viewers with a vision-like cityscape that is both personal and familiar.
Sedlecky, on the other hand, builds his approach on the existential angst of those living in a post-socialist reality, reflecting on the options and prospects of the individual exposed to cosmopolitan living. Since his debut at the Liverpool Biennial in 2010, his work has received continuous international attention. Kis Roka's painterly agenda combines the classic compositional and iconographic traditions and Italian Baroque painterliness with a distinctively expressive visual world that transforms the most brutal arsenal of pornographic and horror imagery into satire.